Painting of Sorrow by
Virginia Winters
I began Painting of Sorrow because I was
interested in lost and destroyed paintings of WWII. Searching for paintings
that could have been saved but were said not to be, brought me to the Flakturm
Friedrichshain in Berlin, an anti-aircraft tower used to house a bomb shelter
and a hospital as well as the paintings of the Kaiser Wilhelm Museum. More than
four hundred paintings and three hundred sculptures were burned, stolen, or
destroyed by bombs in the waning days of WWII. Did the Soviets loot the
building before it burned? Or were some of the paintings stolen when the Soviet
guards were inexplicably removed?
One such painting was called variously Portrait
of Fillide or Portrait of a Courtesan, a work by Caravaggio. Client Simon
Wolf brings a copy of the painting to be conserved by the firm where Sarah
Downing works.
Is it a copy or an original? It's Sarah job
to conserve it but she wants to know the truth about the painting.
Sarah is a painter as well as an art
conservator. Her mind reacts to situations, landscapes, and people by seeing
paintings in her memory that describe them. Throughout the book, images of
paintings also reflect her emotional state and her fears.
Early in the book, the director of the Art
Gallery that is housed in the building where she works, frightens Sarah. Her
mind brings up a picture of St. Jerome,
an almost cadaveric man pictured in a desert, by Da Vinci. The taut skin of his
face reveals the skull beneath.
Sarah escapes a killer with her friend Peg.
On the way, they stop at a lookout over Mazinaw Lake. Casson painted the iconic
Bon Echo Rock there.
Later, approaching the security of a remote
cabin in rural Ontario, she sees the building as a painting by A. Y. Jackson, Settler's Home and somehow felt
safer, for the moment.
Her visions become darker and when she
finds her new love Simon, beaten by her ex-husband, The Death of Marat by David, a nightmare of a painting intrudes on
her thoughts. At the hospital, the controlled chaos of Emergency
Room, by Fiona Rae reflects the roiling state of her emotions.
Much later, arriving to Simon's home,
afraid that all chance of a relationship with him has gone, she sees not his
house, but Carl Schaefer's Ontario
Farmhouse, dark clouds looming over it, perhaps an omen for her future
I hope interested readers will search out
the paintings mentioned in the book to gain a fuller understanding of Sarah and
the events that changed her life.
You can find out
more about Virginia here: https://ginny200.com/
Find the Painting
of Sorrow here: https://amzn.to/2JPDaYd
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